{"id":941,"date":"2021-10-23T21:53:00","date_gmt":"2021-10-23T21:53:00","guid":{"rendered":"http:\/\/staffansandstrom.se\/?p=941"},"modified":"2021-10-26T16:18:34","modified_gmt":"2021-10-26T16:18:34","slug":"chopin-competition-in-warsow","status":"publish","type":"post","link":"https:\/\/staffansandstrom.se\/?p=941","title":{"rendered":"Chopin Competition in Warsow"},"content":{"rendered":"\n
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<\/a>October 23rd 2021<\/p>\n

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18th<\/sup> Chopin Competition in Warsow<\/strong><\/p>\n

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It is not often that I follow the big piano competitions in detail, but just this year it so happened that I started listening to the Chopin Competition in Stage 3, which included no less than 87 pianists. A contributing factor was certainly the outstanding digital quality, with both live broadcasts and separate film clips for each work performed. Of course also the level of the participants, and the music (!) was a big part of the excitement. It is not at every large international competition where a Swedish student participates and here it was exciting to follow Aristo Sham who competed for his home country China \/ Hong Kong, but is currently studying in Sweden for Professor Julia Mustonen-Dahlkvist at the Ingesund Academy of Music. My big favorite since the beginning was Eva Gevorgyan from Armenia \/ Russia who, in my opinion, despite her young age, among contemporary pianists has an incredibly strong artistic expression and integrity. Unfortunately, there was no price rewarded either for Aristo or Eva, but it is only to congratulate all the fantastic achievements during the competition! Other interesting pianists for me were the Japanese Hayato Sumino, the American Talon Smith and the Italian Leonora Armellini.<\/p>\n

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A big congratulations to all the winners with Xiaoyu “Bruce” Liu in the lead, and also a big compliment to the eminent Vietnamese teacher Dang Thai Son whose students received both first and sixth prize!<\/p>\n

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Read more on the XVIII Chopin Competition webside!<\/a><\/p>\n

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\"Denna<\/a><\/p>\n

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23 oktober 2021<\/p>\n

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Den 18:e Chopint\u00e4vlingen i Warszawa<\/strong><\/p>\n

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Det \u00e4r inte s\u00e5 ofta som jag i detalj brukar f\u00f6lja de stora pianot\u00e4vlingarna, men just i \u00e5r s\u00e5 f\u00f6ll det sig s\u00e5 att jag b\u00f6rjade lyssna p\u00e5 Chopint\u00e4vlingen i \u201dstage 3\u201d som innefattade inte mindre \u00e4n 87 pianister. En bidragande orsak var s\u00e4kert den utomordentliga digitala kvalit\u00e9n, med b\u00e5de lives\u00e4ndningar och separata filmklipp f\u00f6r varje verk som framf\u00f6rdes. S\u00e5klart \u00e4ven niv\u00e5n p\u00e5 deltagarna, och musiken(!) var en stor del av beh\u00e5llningen. Det \u00e4r heller inte vid varje stor internationell t\u00e4vling som en svensk student deltar och h\u00e4r var det sp\u00e4nnande att f\u00f6lja Aristo Sham som t\u00e4vlade f\u00f6r sitt hemland Kina\/Hongkong, men just nu studerar i Sverige f\u00f6r professor Julia Mustonen-Dahlkvist vid Musikh\u00f6gskolan i Ingesund. Min stora favorit var sedan starten Eva Gevorgyan fr\u00e5n Armenien\/Ryssland som enligt min mening, trots sin ringa \u00e5lder, bland nutida pianister har en otroligt stark konstn\u00e4rlig uttrycksf\u00f6rm\u00e5ga och integritet. Tyv\u00e4rr r\u00e4ckte det inte hela v\u00e4gen till n\u00e5got pris, men det \u00e4r bara att gratulera \u00e4nd\u00e5 till alla deras fantastiska prestationer under t\u00e4vlingen! Andra intressanta pianister f\u00f6r mig var japanen Hayato Sumino, amerikanen Talon Smith och italienskan Leonora Armellini.<\/p>\n

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Ett stort grattis till alla vinnare med Xiaoyu \u201dBruce\u201d Liu i spetsen, och \u00e4ven en eloge till den eminente vietnamesiske l\u00e4raren Dang Thai Son vars studenter erh\u00f6ll b\u00e5de f\u00f6rsta och sj\u00e4tte pris!<\/p>\n

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L\u00e4s mer p\u00e5 XVIII Chopin Competitions webbplats<\/a><\/p>\n

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Musik- och Operah\u00f6gskolan vid M\u00e4lardalens h\u00f6gskola erbjuder sina studenter individuell undervisning p\u00e5 huvudinstrument, kammarmusik, gemensamma lektioner, instudering, musikteori, musikhistoria och f\u00f6rel\u00e4sningar  och masterclasses av g\u00e4stande musiker. Allt i en kreativ och inspirerande kulturhistorisk milj\u00f6 p\u00e5 V\u00e4ster\u00e5s slott.<\/em><\/p>\n

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Utbildningen ges med fyra inriktningar och leder till en Konstn\u00e4rlig kandidatexamen\/Degree of Bachelor of Fine Arts. Kammarmusikprogrammet har en stor konsertverksamhet d\u00e4r studenterna f\u00e5r m\u00e5nga tillf\u00e4l\u00adlen att framtr\u00e4da inf\u00f6r publik. Konserterna h\u00e5lls p\u00e5 olika scener exempelvis i Rikssalen p\u00e5 V\u00e4ster\u00e5s Slott, V\u00e4ster\u00e5s Konserthus och V\u00e4ster\u00e5s Dom\u00adkyrka. Utbildningen har en tydlig struktur vilket ger studenterna m\u00f6jlighet att ta vara p\u00e5 sin konstn\u00e4rliga be\u00adg\u00e5vning och utvecklas s\u00e5v\u00e4l personligt som inom musiken. <\/em><\/p>\n

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Vid v\u00e5r konst\u00adn\u00e4rliga utbildning f\u00e5r studenterna m\u00f6jlighet att maximalt utveckla sin kreativa f\u00f6rm\u00e5ga och talang, n\u00e5got som ger dem en f\u00f6rdel i situationer med h\u00e5rd kon\u00adkurrens. En konstn\u00e4rlig kandidatexamen ger dem ocks\u00e5 m\u00f6jlighet att g\u00e5 vidare till studier p\u00e5 masterniv\u00e5. Som s\u00e5ngare eller instrumentalist har man ett kreativt och omv\u00e4xlande yrke d\u00e4r arbets\u00adf\u00e4ltet \u00e4r inom konstn\u00e4rliga institutioner och som frilansande musiker.<\/em><\/p>\n

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  <\/em>Om Staffan Sandstr\u00f6m<\/a><\/strong><\/p>\n

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  <\/em>Om Musik- och Operah\u00f6gskolan vid M\u00e4lardalens h\u00f6gskola<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"

\nOctober 23rd 2021 18th Chopin Competition in Warsow It is not often that I follow the big piano competitions in detail,…\n<\/div>\n
Continue reading “Chopin Competition in Warsow”<\/span>…<\/a><\/div>\n","protected":false},"author":1,"featured_media":943,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-941","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","entry"],"_links":{"self":[{"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/posts\/941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=941"}],"version-history":[{"count":3,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/posts\/941\/revisions"}],"predecessor-version":[{"id":948,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/posts\/941\/revisions\/948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/media\/943"}],"wp:attachment":[{"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}