{"id":1324,"date":"2024-03-10T10:29:00","date_gmt":"2024-03-10T10:29:00","guid":{"rendered":"https:\/\/staffansandstrom.se\/?p=1324"},"modified":"2024-03-11T08:41:53","modified_gmt":"2024-03-11T08:41:53","slug":"female-signatures","status":"publish","type":"post","link":"https:\/\/staffansandstrom.se\/?p=1324","title":{"rendered":"Female signatures"},"content":{"rendered":"\n

Sunday 10\u00a0March 2024. <\/p>\n\n\n\n

Last Friday, on March the 8th<\/sup>, it was time again for International Women’s Day, which we at the Academy of Music and Opera, M\u00e4lardalen University<\/a>, celebrated by arranging a concert two days before on Wednesday at the Castle of V\u00e4ster\u00e5s. As previous years, the program consisted not only by music composed by women, but also music written for women or with a connection to women. The female composers presented this year were unusually few, only Eva Dell’Acqua and Louise Farrenc had their music performed(!). Other music was composed by men but with, as the title implies, female signatures.<\/p>\n\n\n\n

The piano class was represented by five students, the music performed by them was Rachmaninov’s Etude-Tableaux op. 39 no. 5 in E flat minor with Octavian Leyva Dragomir, Beethoven’s Sonata no. 28 in A major with Elin Dahlberg, Thalberg’s Etude op. 26 no. 6 in B flat minor with Siri Karlsson, Eva Dell’Acqua\u2019s Villanelle with Pamela Basil, soprano, Klara Spychala, flute and Anna Jubro, piano, and last but not least the first movement from Louise Farrenc’s Clarinet Trio op. 44 with Wilma Berglund, clarinet, Hulda Almqvist, cello and Efraim Tropp at the Steinway.<\/p>\n\n\n\n

Very fine performances by pianists and all the other participants, many thanks for yet another successful concert in beautiful Rikssalen at the Castle of V\u00e4ster\u00e5s!<\/p>\n\n\n\n

S\u00f6ndag 10 mars 2024.\u00a0<\/strong><\/p>\n\n\n\n

Kvinnliga f\u00f6rtecken<\/strong><\/p>\n\n\n\n

I fredags, fredagen den 8:e mars, var det dags f\u00f6r den Internationella kvinnodagen, n\u00e5got som vi p\u00e5 Musik- och operah\u00f6gskolan<\/a>, firade genom att tv\u00e5 dagar innan arrangera en konsert i Rikssalen p\u00e5 V\u00e4ster\u00e5s slott. Liksom tidigare \u00e5r bj\u00f6ds det inte bara p\u00e5 musik komponerad av kvinnor, utan ocks\u00e5 musik skriven\u00a0till kvinnor eller med en koppling till kvinnor. De kvinnliga komposit\u00f6rerna som presenterades i \u00e5r var ovanligt f\u00e5, bara Eva Dell\u2019Acqua och Louise Farrenc fick sin musik framf\u00f6rd(!). \u00d6vrig musik var komponerad av m\u00e4n men med, som sagt, kvinnliga f\u00f6rtecken.<\/p>\n\n\n\n

Pianoklassen representerades av fem studenter, och musiken som publiken fick h\u00f6ra fr\u00e5n dem var Rachmaninovs Etude-Tableaux op. 39 nr. 5 i ess-moll med Octavian Leyva Dragomir, Beethovens Sonat nr. 28 i A-dur sats 1 med Elin Dahlberg, Thalbergs Etyd op. 26 nr. 6 i bess-moll med Siri Karlsson, Eva Dell’Acqua\u2019s Villanelle med Pamela Basil, sopran, Klara Spychala, fl\u00f6jt och Anna Jubro, piano och sist men inte minst Louise Farrencs Klarinetttrio op. 44 sats 1 med Wilma Berglund, klarinett, Hulda Almqvist, cello och Efraim Tropp vid flygeln.<\/p>\n\n\n\n

Mycket fina prestationer av pianisterna s\u00e5v\u00e4l som alla andra medverkande, stort tack f\u00f6r \u00e4nnu en lyckad Rikssalskonsert!<\/p>\n\n\n\n

\"\"<\/a>
Hulda Almqvist, Siri Karlsson, Efraim Tropp, Wilma Berglund<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Octavian Leyva Dragomir, Efraim Tropp, Elin Dahlberg, Anna Jubro<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n

About Staffan Sandstr\u00f6m<\/strong><\/a><\/p>\n

About<\/a> University of Music and Opera, M\u00e4lardalen University<\/a><\/strong><\/p>\n

Om Staffan Sandstr\u00f6m<\/a><\/strong><\/p>\n

<\/p>\n

<\/p>\n

Om Musik- och Operah\u00f6gskolan vid M\u00e4lardalens universitet<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"

\nSunday 10\u00a0March 2024. Last Friday, on March the 8th, it was time again for International Women’s Day, which we at…\n<\/div>\n
Continue reading “Female signatures”<\/span>…<\/a><\/div>\n","protected":false},"author":1,"featured_media":1326,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","entry"],"_links":{"self":[{"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/posts\/1324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1324"}],"version-history":[{"count":1,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/posts\/1324\/revisions"}],"predecessor-version":[{"id":1330,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/posts\/1324\/revisions\/1330"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=\/wp\/v2\/media\/1326"}],"wp:attachment":[{"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staffansandstrom.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}